JSpira
05-10-2009, 03:53 PM
TO judge from the German films that have made their way onto the world stage in the last few years German cinema is drawn almost obsessively to the nation’s historical landmarks, of which there is clearly no shortage. Recent award-winning exports have taken on Nazis (“Downfall” (http://movies.nytimes.com/gst/movies/titlelist.html?v_idlist=89905;344533;293961&inline=nyt_ttl)), the Stasi police state (“The Lives of Others” (http://movies.nytimes.com/movie/350173/The-Lives-of-Others/overview)) and the pains of reunification (“Good Bye Lenin!”).
Skip to next paragraph (http://www.nytimes.com/2009/05/10/movies/10lim.html?hpw#secondParagraph) Related
http://graphics8.nytimes.com/images/multimedia/icons/video_icon.gif Trailer: 'Jerichow' (http://movies.nytimes.com/movie/451855/Jerichow/trailers)
http://graphics8.nytimes.com/images/2009/05/10/arts/10lim2_190.jpg Cinema Guild
A scene from Mr. Petzold’s “Jerichow” featuring, from left, Hilmi Sözer, Benno Fürmann and Nina Hoss.
But alongside these big movies with important themes and a capital-H notion of history, a cluster of thoughtful, low-key independent films has emerged, most from a loose network of filmmakers known as the Berlin School. The work of Christian Petzold, 49, a senior member of this quasi-movement, has a particularly charged and complicated relationship with history.
Article continues here (http://www.nytimes.com/2009/05/10/movies/10lim.html?hpw)
Skip to next paragraph (http://www.nytimes.com/2009/05/10/movies/10lim.html?hpw#secondParagraph) Related
http://graphics8.nytimes.com/images/multimedia/icons/video_icon.gif Trailer: 'Jerichow' (http://movies.nytimes.com/movie/451855/Jerichow/trailers)
http://graphics8.nytimes.com/images/2009/05/10/arts/10lim2_190.jpg Cinema Guild
A scene from Mr. Petzold’s “Jerichow” featuring, from left, Hilmi Sözer, Benno Fürmann and Nina Hoss.
But alongside these big movies with important themes and a capital-H notion of history, a cluster of thoughtful, low-key independent films has emerged, most from a loose network of filmmakers known as the Berlin School. The work of Christian Petzold, 49, a senior member of this quasi-movement, has a particularly charged and complicated relationship with history.
Article continues here (http://www.nytimes.com/2009/05/10/movies/10lim.html?hpw)